Use case · Concerts and festivals
Shade every concert camera live, from the pit to front of house.
Concert lighting changes second to second, gimbals roam the pit and long lenses sit at front of house. Cyanview shades them all from one panel — wired or over 4G.
The problem
What makes concerts and festivals hard
Lighting is the show
Strobes, washes and blackouts are the point. Iris has to be ridden live, all night.
Gimbals will not stay wired
Steadicam and gimbal rigs move through crowds. Control has to follow over Wi-Fi or 4G.
Long lenses at the back
The long-lens camera at the back of the field is part of the same cut as the pit cameras.
Ride it on real controls
The RCP-J joystick and knobs are made for continuous riding: iris, black and gain under fingers, every camera one button away.
The RIO frees the gimbal
A RIO on the rig controls a mirrorless over USB-C and rides Wi-Fi or 4G back to the panel. If the link drops, the RIO holds the camera's last settings and resumes control when the link returns.
Map it onto your production
Cyanview and its integrators design the topology with you: cameras, interfaces, transport and the right control surface.