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Use case · Fashion and runway

Match broadcast and mirrorless cameras live.

Runway shows cut between broadcast cameras and mirrorless bodies on jibs and sliders, on a catwalk lit for the room rather than the lens. Cyanview matches their colour on one surface, live.

Mirrorless + broadcast mix, jib / slider Topology: Local Surface: Panel or software

The problem

What makes fashion and runway hard

Two colour sciences on one cut

Broadcast and mirrorless cameras render the same red dress two different ways.

Light built for eyes, not sensors

Show lighting flatters the room. The cameras need riding to flatter the garments.

No second take

The walk happens once. Matching has to be right live.


Both camera types on one surface

The RCP shades the broadcast fleet and the mirrorless bodies side by side, with real knobs when the look needs riding and set-and-forget when it does not.

A Cyanview RCP shading broadcast and mirrorless cameras side by side

Colour controls where the camera has none

A colour device on the same channel gives mirrorless bodies the multi-matrix and detail controls broadcast cameras have, so the same dress reads the same on every angle.

A Cyanview colour device matching a mirrorless camera to the broadcast fleet

Map it onto your production

Cyanview and its integrators design the topology with you: cameras, interfaces, transport and the right control surface.

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